Worn Thin

by WEEP

supported by
questionchild
questionchild thumbnail
Condemnation 1994
Condemnation 1994 thumbnail
afp
afp thumbnail
Pavel
Pavel thumbnail
andrew bodnar
andrew bodnar thumbnail
Aimfri
Aimfri thumbnail
Lawrence Baker
Lawrence Baker thumbnail
mikechan
mikechan thumbnail
Martin Muders
Martin Muders thumbnail
Laura Ward
Laura Ward thumbnail
S
S thumbnail
Atrella
Atrella thumbnail
/
1.
Snow Scenery 04:01
2.
Let Me 04:01
3.
When I’m Wrong 04:34
4.
A Reminder 03:46
5.
The Time I Thought That 03:46
6.
Over Now 04:05
7.
Calm Down 03:52
8.
Ever Shy (Nov. Mix) 04:05
9.
Worn Thin 03:25
10.
Interlude 03:59
11.
Right Here, Right Now (Jesus Jones cover) 03:24
12.
Shut Up And Drive (Rihanna cover) 03:35

about

Worn Thin, the first full-length from NYC’s WEEP, takes their aggressive and firmly pop-structured songs to a place of heightened grandeur. Sweeping choruses, horn-driven verses, and lush production work seamlessly with WEEP’s guitar and drum-driven sound. At times the listener is reminded of The Head On The Door-era Cure enjoying the strange bedfellow of Catherine Wheel or Placebo. WEEP’s pilot, Doc Hammer (incidentally the same Doc Hammer who co-created Cartoon Network’s The Venture Bros.), brings his uniquely raspy vocals to the front on this release creating a bizarre but not unfamiliar kind of New Dark Pop.

On Worn Thin, WEEP maintains their hard edge and generates a sound filled with loosely-bridled emotions and powerful rhythms. Doc explains: “This is the record we wanted to make. It’s almost like a reactionary antidote to what we’re sick of in music. That dry, low-tech production of the past ten years is tiring. It’s in its footy pajamas, and it needs to take a nap. We wanted something lush and dramatic for the songs on Worn Thin. They usually relegate that kinda over-the-top production to Lady Gaga. But believe me, it works really well with a messy little band like WEEP.”

“It was fun pushing these songs to a place that most bands would feel goofy pushing them to,” Doc continues. “The vocals have three- and even four-part harmonies, which for a guy with my brass pipes, is no small feat. And we have string and horn sections that push the material right over the cliff. But at the same time, when we approached the guitar-heavy songs, we backed off all the bells and cranked up the amps. I guess we just took each song on its own and did everything in our power to present it the way we heard it in our heads. But we left out my mom telling me to take out the garbage. I have no idea why that’s still in my head.”

Songs like “Snow Scenery” and “The Time I Thought That” are almost radio-friendly guitar powered hits, aggressive in their approach to song-writing and performance. While songs like “Calm Down” and “Over Now” take that same approach and push it to dramatic and lush heights that the “radio” will never be comfortable with.

“I’ve been creating music my whole life,” Doc states. “I keep going back because it’s a challenge. Making a CD isn’t easy. It takes your heart and ego and mashes them together into a paste that people pick up and throw back at you. It’s not 1978, and nobody does this crap to be a rich rock star. Those days are over. I do it to make something that I love and find beautiful. And I want others to understand and fall for this beautiful thing, then be inspired to go and make their beauty, whatever it is… I don’t mind if they just listen to Worn Thin while they clean their bedroom, as long as that bedroom sparkles when they’re done!”

“I hate to mention that I’m the voice of Dr. Girlfriend, or I make The Venture Bros. Makes people think WEEP is some vanity project or something. But I’ve been in bands and have been releasing CDs long before there was a Team Venture. Listen, if you really want to be confused, look for my oil paintings online. Yes, I’m a guy that decided free time and a functioning social life are overrated. It’s a kind of an art-martyrdom… Somebody has to do it.”

As a testament to their idea of redefining pop-music, WEEP concludes Worn Thin with covers of Jesus Jones’ “Right Here, Right Now” and Rihanna’s “Shut Up And Drive” with a refreshing lack of irony. As if WEEP is just saying to the listener: “This is how those songs should go… You might like it our way.”

credits

released May 5, 2010

license

all rights reserved

tags

about

Projekt Records image

Projekt Records Portland, Oregon

Projekt is America's premier independent label specializing in passionately intense introspective music in the ambient, electronic, ethereal & darkwave genres.

“Rosenthal’s own group, Black Tape for a Blue Girl, was an early exponent of darkwave’s hallmark mournful cabaret.” —Craig Hayes, Popmatters, 2013

Patron support:
blacktapeforabluegirl.bandcamp.com/patron ... more

discography

contact / help

Contact Projekt Records

Streaming and
Download help

Shipping and returns

Redeem code

Report this album or account

Projekt Records recommends:

If you like Worn Thin, you may also like:

Bandcamp Daily  your guide to the world of Bandcamp

On Bandcamp Radio

Featuring guests Lonnie Holley and Spacebomb's Matthew E. White, plus new tunes galore!

 listen now