Disciple

by Mark Seelig

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guy peeters
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guy peeters great relaxation and calming music
Merik
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Merik excellent! "call of the divine" nous emmène tout droit au centre de notre être... Favorite track: Call of the Divine (based on Raga Bihag).
Digital Gandharva
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Digital Gandharva Mixing traditional indian Raga's with ambient textures and pads, this is one of the most original world fusion albums that I know of. Meditative Bansuri playing by Mark Seelig, supporting drones by Steve Roach, and percussion by Byron Metcalf - if these names mean anything to you, you know it can't go wrong. In my opinion it's pure bliss.
brandonernst
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brandonernst This is just stunning!!! Favorite track: Initiation (based on Raga Jhinjhoti).
Michele Dillon
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Michele Dillon Thankyou for the mind and brain massage massage..this has been a huge part of my healing ..thankyou thankyou thankyou for sharing your divine gift..namaste big hugs☺ Favorite track: Initiation (based on Raga Jhinjhoti).
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about

Disciple is the first solo release from Steve Roach/Byron Metcalf collaborator Mark Seelig, and delves deeply into a meditative/spiritual style based on classical Indian Ragas and their devotional aspects. Mark’s Bansuri flute and overtone mantra chants blend with occasional female vocals, tamboura drones, percussion from Metcalf and analog synth drones from Roach, resulting in a powerfully engaging album supporting heart centered practice, deep meditation, yoga, etc.

Through the spiritual energy of the four long tracks, Mark manifests an expression of deeply felt gratitude for the gift of life, for friendship, and for peace. The various ragas, vocalists, and chants pull the listener away from external concerns into a serene mood of profound relaxation and devotional contemplation.

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released November 4, 2005

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Projekt Records Portland, Oregon

Projekt is America's premier independent label specializing in passionately intense introspective music in the ambient, electronic, ethereal & darkwave genres.

“Rosenthal’s own group, Black Tape for a Blue Girl, was an early exponent of darkwave’s hallmark mournful cabaret.” —Craig Hayes, Popmatters, 2013

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